MOTORIZED CAMERA
SYSTEMS
Extremely high end, hand built cinema rigs that are designed to capture one of a kind stunning footage during any event.
MOTORIZED CAMERA
SYSTEMS
EDELKRONE SLIDER
AUTOMATED MOVEMENTS
EDELKRONE SLIDER
AUTOMATED MOVEMENTS
MŌVI & READY RIG
STABALIZED MOVEMENTS
MŌVI & READY RIG
STABALIZED MOVEMENTS
INSPIRE 1
AERIAL MOVEMENTS
INSPIRE 1
AERIAL MOVEMENTS
FILMING IN LOG
color profile
Slide the arrows below to view the difference between
our LOG footage, and the color graded results.
FILMING IN LOG
color profile
Slide the arrows below to view the difference between our LOG footage, and the color graded results.
The first step we take is to ensure that our equipment is chosen and built in a way that prepares the footage for our unique editing style. We edit our footage the same way that Hollywood studios edit their movie footage, and that first begins with filming in what’s known as LOG color profile. Filming in LOG is the technical term for having a very flat color/contrast profile, resulting in an image that has preserved the details in the highlights and the shadows. This allows us to apply our edits the way we intend, instead of being at the mercy of the conditions of the filming day.
The first step we take is to ensure that our equipment is chosen and built in a way that prepares the footage for our unique editing style. We edit our footage the same way that Hollywood studios edit their movie footage, and that first begins with filming in what’s known as LOG color profile. Filming in LOG is the technical term for having a very flat color/contrast profile, resulting in an image that has preserved the details in the highlights and the shadows. This allows us to apply our edits the way we intend, instead of being at the mercy of the conditions of the filming day.
FILMING ON CINEMA
lenses
We use Canon’s signature ultra high end Sumire cinema lenses, with ultra fast T-stops,
resulting in the sharpest images, smoothest bokeh and a razor thin depth of field.
FILMING ON CINEMA
cameras
We use Sony’s newest state-of-the-art cinema cameras, filming everything on full frame sensors,
in 4K at 120fps, with 10bit color depth and 4:2:2 compression ratios.
UTILIZING TASCAM
audio field mixers
We use Canon’s signature ultra high end Sumire cinema lenses, with ultra fast T-stops,
resulting in the sharpest images, smoothest bokeh and a razor thin depth of field.
FILMING ON ATOMOS
monitor recorder
We use Canon’s signature ultra high end Sumire cinema lenses, with ultra fast T-stops,
resulting in the sharpest images, smoothest bokeh and a razor thin depth of field.
USING POLAR PRO
mist filters
We use Canon’s signature ultra high end Sumire cinema lenses, with ultra fast T-stops,
resulting in the sharpest images, smoothest bokeh and a razor thin depth of field.
FAQ
Most frequent questions and answers
Yes! Absolutely. We encourage customization. Your wedding day is as unique as you are, and we approach each wedding as an opportunity to tell a different story. We want to build a detailed plan that is designed to highlight the details that truly represent who you are.
That’s a great question! We’re extremely passionate about our craft. We pour our heart, souls and bank accounts into what we do. Our equipment is extremely costly, and so are the computers that’re fast enough to edit everything. We believe our prices reflect what it costs to make these films, and more importantly, they reflect what they’re worth.
If we’re outside of your budget, feel free to reach out. We’re always open to finding out a way to work with those who truly connect with our style.
We use a large array of very. specific equipment that was specially designed for capturing events with a very cinematic vibe.
• Cameras
Our cameras are all true cinema cameras, using full frame sensors, low compression ratios, 4K resolution, and high frame rates, for extra slow motion moments.
• Lenses
In addition to the cameras, we use only prime lenses. No zooms. That means sharper footage, with an extremely shallow depth of field.
• Gymbals
We use a mixture of Freefly Systems and DJI’s newest motorized gimbals to give that classic hyper smooth Hollywood look.
• Second Camera Angle
We don’t use tripods or monopods. We use gimbals, and a preprogramed motorized sliding rig during the ceremony, and reception for a second, and third angle (when a second filmmaker is included). All of our cameras are moving at all times.
• Lighting
Lighting is key. Without light, cameras don’t work. Our eyes are trained to recognize what characteristics create “quality lighting”, when we’re filming. Our camera systems are built from the ground up to operate in low lighting environments. In addition to this, we bring along mobile studio quality lighting for key shots.
• Audio
Ever watched a movie while working at home? Audio convey’s more of a story in movies than the visuals, and we believe that it is an extremely important vessel for carrying the story of your wedding day. We us an array of studio audio equipment, from 360 ambiance microphones, and highly directional shotgun microphones on our camera rigs, to multiple wireless lavalier microphones for the groom, officiant, and persons giving the speeches, as well as a direct tap into the main broadcast system for your venue.
We request a deposit at the signing of the contract.
We request a payment to be made within 48 hours of the event date.
The final payment is due when the edited files are ready to be delivered.
25% due at signing
25% due within two days before the event
50% due when deliverables are ready
The reason why we break it down like this is to give you time to make the full payment, while giving us the ability to pay the filmmakers, assistants, and editors, as while as cover the expenses associated with the event when these expenses are due. We are not able to lock down the event date until the 25% deposit is made.
You are welcome to a full refund of this deposit within 2 weeks of signing the contract. Past that point, because we are highly likely to turn down other commercial and private events in order to commit to your event, we are not able to refund the deposit if our services or the event is canceled by you after two weeks from signing the contract.
In the event that the event is within two weeks of the signing of the contract, the deposit is not refundable.
Absolutely! We will film and edit everything you’d like us to. Our packages are built upon a contiguous hours of coverage system. We will film the getting ready portion, beers with the groomsmen, or anything else before the ceremony. It’s all up to you, and we want to plan it all out in detail. We encourage creative activities in the morning that express your personalities.
Yes! We film everything in 4K, and we deliver in 4K.
Why is this important?
It’s all about quality, and future proofing your tangible memories. Even YouTube began publishing content in 4K over 12 years ago, and we’re absolutely dumbfounded to see professional wedding videographers still delivering their client’s work in standard HD today. How is their footage going to look in another 10 years?
OUR CORE VALUES
Whether you’re a bride or a groom that wants to know exactly what you’ll be paying for, or you’re a fellow creative with a thirst for knowledge – we’re going to take a deep dive into the equipment, tools and techniques that we’ve developed in a way that truly sets our cinematography work above the average wedding videographer. We’re passionate story tellers, massive gear nerds and we love connecting with the human spirit. We believe these three aspects is the DNA that’s woven through our work, that makes use unique.
STORY TELLING
HAND BUILT EQUIPMENT
UNUIQE TECHNUIQE
OUR CORE VALUES
Whether you’re a bride or a groom that wants to know exactly what you’ll be paying for, or you’re a fellow creative with a thirst for knowledge – we’re going to take a deep dive into the equipment, tools and techniques that we’ve developed in a way that truly sets our cinematography work above the average wedding videographer. We’re passionate story tellers, massive gear nerds and we love connecting with the human spirit. We believe these three aspects is the DNA that’s woven through our work, that makes use unique.
STORY TELLING
HAND BUILT EQUIPMENT
UNUIQE TECHNUIQE